This experience was described in Brian's bio as "four hours of enlightenment and spirituality" and it led to Brian's learning "a lot of things, like patience, understanding" as he explained to Tom Nolan. All of these little clues (ego-death, rebirth, enlightenment, understanding) fit together to form the classic religious psychedelic experience. As is often the case with such experiences there concurrently emerges a strong desire to help others achieve a similar level of spiritual success. This is what SMiLE documents.
In late December, 1965 after his acid flashback in Pickwick Books Brian remembered "Loren once explaining that hallucinations were comparable to Zen riddles, mysteries full of meaning." And, true to form, SMiLE songs actually are "mysteries full of meaning," so much so that when anyone attempts to explain them they are automatically at fault for not addressing the multiple meanings that each track appears to have.
"...the listener has to work out by himself what is implied by the laconic hint;
he has to make an imaginative effort to solve the riddle."
~Arthur Koestler, THE ACT OF CREATION
Brian could not find inspiration outside himelf for Pet Sounds, but a book did provide inspiration for the riddle, for SMiLE.
"...it turned me on to some very special things."
~Brain Wilson on THE ACT OF CREATION
Arthur Koestler's THE ACT OF CREATION: A Study Of The Conscious And Unconscious Process In Humor, Scientific Discovery And Art (1964) served as an instuctional guide for the creators of the SMiLE album. The book laid out how a hidden layer of meaning could trigger laughter and the spiritual experience. The three quotes below indicate that Brian believed that laughter could help someone let go of their ego.
"The book's about the logic of laughter."
~Brian Wilson
"It explains that people attach their egos to their sense of humor before anything else."
~Brian Wilson
"He (Brian) felt that the moment somebody laughed, that while they're laughing,
that all control was gone. They cannot control themselves.
And at that moment they can have a spiritual experience."
~Michael Vosse
"I have explained earlier on that the term 'self-transcending' or 'participatory' tendencies is meant to refer to those emotional states where the need is felt to behave as a part of some real or imaginary entity which transcends the boundaries of the individual self (whereas when governed by the self-assertive class of emotion, the ego is experienced as a self-contained whole and the ultimate value)."
~Arthur Koestler, THE ACT OF CREATION
Early May 1966
David Anderle enters the picture. Brian immediately begins working in his new spiritual direction with Van Dyke Parks. Wilson asks Parks to write lyrics for "Good Vibrations." Parks declines but begins working with Wilson on "Heroes And Villains" and SMiLE.
May 4, 1966
Brian re-records the opening section of "Good Vibrations." He is apparently dissatisfied and decides to rethink things. He doesn't revisit "Good Vibrations" for three weeks and when he finally does, he begins recording the track in sections.
May 11, 1966
Excited by his new direction and his work with Van Dyke Parks Brian holds a recording session for "Heroes And Villains."
May 16, 1966
Pet Sounds is released.
May 24, 1966
Brian returns to "Good Vibrations" and begins employing his new recording methods. Producing an acceptable version of "Good Vibrations" will be a difficult task as Brian is attempting to realize the perfection of his vision for "Good Vibrations," a vision which originated during Wilson's ultimate religious experience.
August 3, 1966
The SMiLE sessions commence with the instrumental tracking for "Wind Chimes." The SMiLE sessions will be recorded using the same techniques as "Good Vibrations" and Brian will have the same problems with the SMiLE sessions that he has with "Good Vibrations." As with "Good Vibrations," Wilson will seek perfection for his spiritually inspired music, his teenage symphony to God.
September 21, 1966
Brian holds the final session for "Good Vibrations."
October 10, 1966
The "Good Vibrations" single is released.
November 28, 1966
Session for "The Elements (Fire)." This scary track, at least partly based upon Brian Wilson's bad second LSD trip, marks the beginning of the downfall of SMiLE, and it is this observer's opinion that Brian's reaction to the track marked the beginning of his questioning the appropriateness of SMiLE and the idea of mystically bringing (via the riddle) the spiritual LSD experience to the general public. The negativity that begins at this point eventually will lead Wilson (a decade after SMiLE's demise) to claim "It was destroying me! I was being destroyed thinking about it!" and "We were doing witchcraft, trying to make witchcraft music." Wilson would continue to claim that the music is "inappropriate" into the next century.
This is where the Out-Of-Site! SMiLE Site ends its time line. SMiLE was meant to do good things and bring wisdom, health, and happiness to people and in that positive spirit we'd like to stay. The story of SMiLE's undoing can be found elsewhere (unfortunately without the Out-Of-Sight! website's Where It's At insight into why Brian shelved SMiLE).
Thank you Brian Wilson!
The lovely Lake Arrowhead photos on this page can all be found in this book;
Here are some of the websites I used for information:
http://www.ci.san-bernardino.ca.us/about/history/the_arrowhead.asp
http://www.youtube.com/watch?v=-ojJoTriuXg
http://nymag.com/nymetro/arts/music/pop/12377/
"Now, Brian Gemini was a very quick-witted sort of soul, and he perceived instantly that he would need a great deal of out-of-sight energy to be able to cope with this new out-of-sight world which he had just seen with his new-found out-of-sight vision.
Shortly after this enlightening perception, a large glob of very green spinich quite fortuitously splatted down upon Brian's knee. What luck!"
~Brain Wilson from his late '66 article for THE BEAT
"I want people to turn on to vegetables, good natural food, organic food. Health is an important ingredient in spiritual enlightenment."
~Brain Wilson
"Brian Gemini, filled with new-found vegetable vigor, jumped to his feet and was red as a beet and then said with great emotion: "David Carrot--we'll soon be in the pink!'"
~Brain Wilson from his late '66 article for THE BEAT
Be sure to check out our other SMiLE pages.
There's an Act Of Creation page;
Here
And our earlier Zen Interpretation page;
Here
"I'm writing a teen-age symphony to God."
-Brian Wilson, October 1966
"That's symbolism right? God can't be conceived of and so therefore we give him a literal meaning and he's in the sky, you know, so that people can understand what is being said."
-Brian Wilson on "Rio Grande"
"Easy my child it's just enough to believe. Out of the wild into what you can conceive, you'll achieve."
-from "Child Is The Father Of The Man"
"I heard the word--of God; Wonderful thing--the joy of enlightenment, of seeing God. And what is it? A children's song!"
-Brian Wilson on "Surf's Up"
"...For man is a symbol-making animal. He constructs a symbolic model of outer reality in his brain, and expresses it by a second set of symbols in terms of words, equations, pigment, or stone. All he knows directly are bodily sensations, and all he can directly do is to perform bodily motions; the rest of his knowledge and means of expression is symbolical. To use a phrase by J. Cohen, man has a metaphorical consciousness."
-Arthur Koestler from The Act Of Creation